ROUNDABOUT BLOG

The Road to Creation

Posted on: December 13th, 2011 by Education @ Roundabout

“Instead she did something which small minds and small souls can never forgive…she dared to be different!” – Elsa about Miss Helen

The Road to Mecca is inspired by the true life story of Helen Elizabeth Martins, the youngest of six children, born and raised in the small South African village of Nieu Bethesda in December, 1897. Martins obtained her teacher's diploma in nearby Graaff-Reinet and moved to the Transvaal region to become a teacher.  In 1920 she married Johannes Pienaar, a teacher, playwright, and politician. The marriage was troubled, and it ended in 1926. Little is known about Martins in the years during or immediately following her marriage.

In the 1930s, Martins returned to Nieu Bethesda to take care of her elderly parents. Her invalid mother died in 1941 and her father died in 1945, leaving Martins isolated in the remote village with little prospects of her own.  One night, as she laid ill in bed, depressed about her dull and grey existence, she resolved to find a way to bring light and color into her life.  This decision lead to a lifelong artistic quest to transform her environment.

In her late 40s, with no overall plan and no formal artistic training, Martin began decorating the interior of her house. Fascinated with the reflection of light and different hues of colors, she covered her walls with crushed glass, set in elaborate patterns on layers of colored paint. She created a visual language with motifs of sun-faces and owls. Around 1964, after completing the interior of the house, Martins extended her vision outside; for the next 12 years she worked with Koos Malgas, a local sheepshearer and builder, to create the sculptures and relief figures that would fill the “Camel Yard” and cover the walls of the house.  Inspired by the Bible and world poets, the sculptures represent Christian as well as eastern religious icons: shepherds, sheep, camels, and other real and imaginary beings. All the figures in the Camel Yard face east—the direction of Mecca.  An arched entryway at the front of the house is watched over by a double-faced owl.

Over time Martins, known as “Miss Helen” by her neighboring villagers, was regarded with suspicion and derision. The physical demands of her artwork, arthritis, and old age all took a toll on her appearance and health; it was known that she did not take care of herself. She became increasingly reclusive and even avoided seeing people on the street.  Her remaining friends claimed that she was intensely passionate—especially about her ideas for her creations.  Her work continued, but cost her physical and emotional hardship, until she lost her eyesight. In 1976, at age of 78, Helen Martins took her own life by swallowing caustic soda. After her death, the Owl House fell into disrepair and some articles were removed.

In 1991, a group of individuals formed an organization, Friends of the Owl House, to restore and preserve the property. They brought Koos Malgas back to Nieu Bethesda to restore the Camel Yard, and he maintained the property until 1996. The Owl House Foundation then formed to manage the site. The Owl House is now a popular tourist attraction, and as a result, Nieu Bethesda has guesthouses, restaurants, coffee shops, and art galleries. Miss Helen’s creation – once an object of derision and embarrassment – is now the destination for over 13,000 visitors each year.

Rosemary Harris and Carla Gugino in 'The Road to Mecca'; Photo Credit: Joan Marcus, 2012

The Road to Mecca is playing at the American Airlines Theatre December 16, 2011 through March 4, 2012. For more information, click here.



Related Categories:
2011-2012 Season, Education @ Roundabout, The Road to Mecca, Upstage


6 Comments

6 Responses

  1. Clovia Feldman

    January 5, 2012

    I am a fan of Fugard and enjoy reading his work. I just loved this play and appreciate the information provided on your website. I only wish there was more information provided in the Playbill. It would have been helpful to the audience.

    Reply
  2. Laurel Zimmermann

    January 6, 2012

    We saw the play last night and found it a stuinning production, superbly acted. Reading this terrific content today made the experience even more pleasurable. Bravo!

    I remember a very different set in the original production. Is there a photo of that anywhere?

    Reply
    • Roundabout

      January 9, 2012

      Hi Laurel – thank you very much for the fantastic comments. We do not have our hands on any photographs of the original production.

      Again, thank you for your continued loyalty to Roundabout.

      Sincerely,
      Roundabout Theatre Company

      Reply
  3. Leslie Appelbaum

    January 12, 2012

    I truly enjoyed the play as I do most of Roundabout productions.
    The information given here would have been so wonderful to know before I saw the show
    The Apartheid theme was hidden but obviously there given the time of the play and Elsa’s comments.

    Great season so far.

    Reply
  4. Leah Koenig

    January 16, 2012

    I appreciate all the extra material that you are providing. Thank you.
    I have been a Roundabout subscriber for many decades.

    Reply
  5. Maralyn Lieberman

    February 10, 2012

    My husband and I travel into NYC from Atlanta, GA for our 5 show subscription. As a member for over 12 years, we are dedicated to the Roundabout. Each show offers us new perspectives and reflections about the journey of living one’s life, and the relationships we share. The Road to Mecca was an ultimately fulfilling play.

    Reply


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